The same could be said about the rule of finishing the fight. However, 3 Below’s approach is far more traditional than Trollhunters when it comes to fear, since the former simply underlines the necessity to overcome it, while the latter spends time showing its usefulness other than it being unavoidable.
Arcadian atlas tumblr series#
In this series as well, the idea is not that one can stop being scared, but that they must live with fear and insecurities. The idea of not being frozen by fear is explored also in 3 Below: What is good about these rules is that they are not accepted as always true and there is no black and white view:įear is necessary and Jim must not block it out completely like he did in Young Atlas, but at the same time he should also control it since if he doesn’t he risks to be overcome by it. In order to become a good trollhunter Jim must learn to live with fear and to finish his fights. They are also characterized by attributes like strength superior to the one possessed by humans and, generally speaking, their world is a very violent one and this is proven by some of their traditions: What is more, trolls themselves are creatures which can’t stay in the sun and so they are beings who can only survive in shadows. Trollmarket is what lies beneath Arcadia, so it is a part of the city its inhabitants are unaware of and initially don’t want to face. I.e., everything of which a person is not fully conscious. In Jungian psychology, the “ shadow”, “ Id”, or “ shadow aspect/archetype” may refer to (1) an unconscious aspect of the personality which the conscious egoĭoes not identify in itself, or (2) the entirety of the unconscious, Here is a definition taken from wikipedia: The world of the trolls could be a representation of the jungian shadow.
Arcadian atlas tumblr full#
In Trollhunters our protagonists who are a group of normal teenagers discover that under their feet, in the underground of their apparent normal town, there is a world full of strange creatures who can be both extraordinary and dangerous. THE TROLLHUNTER: WHY A TROLL WHO HUNTS TROLLS? I will try to better elaborate both this point and others in this analysis. In short, the third rule of both lists is a practical application of the more abstract themes presented by the other two rules. As a matter of fact kicking people in the nuks in Trollhunters and using cellphones in 3 Below have been useful more than once. Since we are at it, I really like that both lists have the third rule be apparently played for laughs and then have it be extremely important in key situations. In Trollhunters the themes explored are about living with and accepting what are considered by society negative or repressed emotions like fear and violence, whereas in 3 Below the themes are about understanding the strength of society like communication, the possibility of making mistakes and being forgiven and the ability to change. It is obvious that these two sets of rules share a common function in the two stories which is to shed light on some of the main themes.
When in doubt, always kick them in the gronk-nuks. In Trollhunters the three rules are as it follows: However, before starting I would like to underline that both shows have their protagonists follow three rules. The complementarity of the two shows appears evident thanks to multiple aspects and details which I will try to highlight in the meta. Both shows explore what it means to be humans, but the trollhunters do so by comparing their humanity with something different only to be enriched by it, whereas the akiridians do so by by underlining the weirdness of humans, but also by finding value in it. On the other hand 3 Below has three aliens trying to blend in human society. On one hand, Trollhunters has a group of normal kids discover the magical and the strange. It is, in fact, easy to see that the premises of the two shows are basically opposite. The first two installments of Tales of Arcadia explore similar themes, but they do so in almost opposite ways to the point that they become complementary.
0 kommentar(er)
